Artistic process & Curatorial Practice & Research
My work investigates the evolving relationships between the body, materiality, and the digital realm, grounded in the conceptual traditions of European contemporary jewellery that I engaged with during my training at the Academy of Fine Arts Munich. This foundation informs my continuous exploration of material languages, the social life of objects, and wearing as an act of critical dialogue.
A consistent conceptual thread connects all phases of my research and creation:
- At Politecnico di Milano, I placed the micro-narratives of jewellery in dialogue with the macro-systemics of fashion, developing a critical framework for deconstructing cultural production.
- Through doctoral research in London, I expanded the “bodily” presence of jewellery and the “spatial” tactics of curation into virtual dimensions, working toward a poetics of post-digital experience.
Beyond crafting wearables, I construct critical models of **body ecology**. Using the intimate narrative capacity of jewellery, I examine shifting identities, values, and perceptions; through fashion’s systemic lens, I reflect on production and consumption rituals; and with curatorial methods, I transform these inquiries into accessible, immersive narratives for the public.
A central long-term initiative is the *Meta-Body Virtual Museum* — a conceptual jewellery laboratory that extends, yet transcends, the intellectual heritage of European contemporary jewellery. Conceived as hybrid research-exhibition space, it fosters both physical artefacts and digital assets, academic critique and participatory public engagement. This project aims to offer a sustainable and provocative paradigm for future discourse on bodily adornment.
I am committed to constructing socio-technical systems that stimulate sustainable thinking and new ideas. As an artist and curator, I strive to unite conceptual depth with narrative experimentation—building bridges between critical making and public sense-making.
我的艺术与策展实践致力于探索身体、物质与数字世界之间不断演变的关系。我的工作根植于德国慕尼黑美术学院所传承的欧洲当代首饰核心脉络——对材料语言的深入探索、对物品社会生命的持续追问，以及将佩戴视为一种批判性对话的传统。
这一思想主线连贯了我所有的创作与研究：在米兰理工大学期间，我将首饰的微观叙事与时尚的宏观系统并置，从而发展出解构复杂文化生产的思维框架；在伦敦的博士研究中，我将首饰的“身体性”与策展的“空间性”拓展至虚拟维度，试图构建一种后数字时代的体验诗学。
因此，我的工作不仅关乎可佩戴的物体，更致力于构建有关「身体生态」的批判性模型。我借助首饰的亲密特质与叙事能力，探讨身份、价值与感知的演变；通过时尚的系统性视角，反思生产与消费的既定逻辑；并最终运用策展的语言，将这些探索转化为公众可进入、可体验的沉浸式叙事。
我长期关注的一个方向是构建「元身体虚拟博物馆」这一 (概念型首饰实验研究所) 工作室 ——它延续欧洲当代首饰的思想血脉，却旨在超越其传统形式。我期望这一空间同时作为实验室与展厅，既创作永恒的物质作品，也发行前瞻性的数字资产；既推动深度的学术批判，也设计可公众参与的体验。我希望能够为未来关于身体装饰的对话，贡献一种新的、可持续的且富有启发的范式。
我坚信，有价值的当代艺术实践应能够构建可持续生成新思想的社会技术系统。而我愿努力成为这样的系统中一位兼具概念建构与叙事能力的实践者。