Neck-adornment

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Leather, ink

2022

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Lettering, 2022, leather and hand drawing, This experimental series of leather-based sketches emerged under the palpable creative energy of London’s drawing and illustration culture. By transferring photographed documentation of myself and my works onto leather surfaces, I reconfigure spatial and self-referential imagery into wearable recycled jewellery. Each piece becomes an intimate artifact—blending urban impression, bodily presence, and regenerative craft.  

这一在皮革表面绘制速写的系列为一组实验性创作，深受英国特别是伦敦活跃的绘画与插画氛围影响。通过将自身与作品的空间记录影像转印至皮革上，转化为可佩戴的再生首饰，每一件作品都成为承载动态城市记忆与个人艺术实践的独特媒介。

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Inspired by the repeated incidents in London where activist groups targeted iconic paintings—such as Vincent van Gogh’s Sunflowers—by throwing liquids at them, I created this work in response. It serves as both a documentation and a critical reflection on these performative acts of public intervention.

以事件为出发点——在伦敦多家美术馆接连发生团体向名画（如梵高的《向日葵》）泼洒液体的行为之际，我深受这一现象的触动，创作了此件事件性作品，以对这一社会表演行为进行反思与记录。

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